Interview

Fräulein Talents: Kianí Del Valle “It’s a balance that I really need”

Juliette Lewis: “I don’t know why I can play dark, dramatic characters, but I’ve always had empathy for people who are going through difficult times.”

“The View from Lagos” with Deto Black

Nina Hoss Doesn’t Need Answers

“It could be anyone, so why not you?“ – How Namasenda restored the hope in my dreams

Beyond the Role: Palina Rojinski on Identity and Confidence

Fashion Editorial: Zarah Kofler – between self and character

Too Much, On Purpose: Inside the world of Sam Quealy

Music Tip: Sophie Woodhouse and the Shaping of Inner Worlds

Taylor Momsen: „You have to remind yourself that, even in the darkest of times, there is light waiting for you.“

Fräulein Talents: Masha Park doesn’t believe decoration is shallow

FASHION EDITORIAL: Tempers and the Sublevels of Delusion

The Raw Beauty Behind MATIERE PREMIERE

“The Key To Life Is To Stay Fluid”: Claudia Hart In Conversation With Anika Meier

How Clothes Speak: In Conversation with Bina Daigeler

Fräulein Talents: Florentina Leitner

Jenny Schlenzka on Marina Abramović: “This Is Bigger Than the Body”

Fräulein Talents: Adelisa Selimbašić

Carla Sozzani on Dior & Alaïa: “The woman was always the most important”

Fräulein Talents: Lesia Vasylchenko

Fräulein Talents: Beate Karlsson

Music Tip: In conversation with Emma Rose

Music tip: From Game Worlds to Galactic Dance floors and Shubostar’s new single release Stardance

Where Bodies Meet Machines: Salomé Chatriot in Conversation with Tjioe Meyer Hecken

Re-Engineering Power: A Conversation with Laura Gerte

Fräulein Talents: Lina Nix

From Heimatfilm to Pop Fantasy: Jovana Reisinger on Sisi, Excess & Modern Obsessions

Music Tip: In Conversation with Mimi Webb

Fräulein Legend: Constanza Macras – “Every war starts on a body”

Ruby O. Fee: Soft Power

Vision in Vintage: Anemonia

“It’s About Elevating the Familiar”: Glenn Martens on his H&M Collection

Here & Now: Massimo Giorgetti on the Spirit of MSGM

Interview with Charlie Stein, on painting as a radically contemporary medium at Kunsthalle II, Mallorca

The Verdict Is In: Selin Davasse on Performance, Law, and Accountability

Dr. Martens x Luisa Gaffron: How to find comfort in an uncomfortable world

Mabel: “What do I want? What’s the music I want to make? And what does my voice sound like?”

“Where Does My Agency Over My Image Begin and End?”

Radiant. Serene. Reawakening: Victoria Fawole on Becoming the Face of Jil Sander’s Sunrise

Alicja Kwade in Conversation with Ann-Kathrin Riedl

Crossing Cultures, Creating Sounds: ELODIE GERVAISE in Focus

Viviane Sassen: Beyond Desire

Horsegiirl: “I’m just a silly little horse”

Peaches: Echoes of Rebellion and Resonance

Siniša: Just Don’t Take Them Seriously

Marina Mónaco: A Leap Of Curiosity

Nancy Holt: Circles of Light

Chiho Aoshima: The Joy Of Not Fitting In

Pallavi Paul: Truth Is Never Not In Conversation With It’s Shadow

In Conversation With Setareh Maleki, Mash Rostami and Niousha Akhshi: “Being Rebellious Is A Full-Time Job”

Lina Iris Viktor: In The (Black) Fantastic

Donna Huanca: “Everything And Everyone Has The Right To Change”

Lindiwe Suttle Müller-Westernhagen, What Should We Teach Children?

Colette Lumiere: “Fight terror with glamour”

Agnes Questionmark: When the patient becomes the doctor

Elsa Rouy: “Some Things Are Better Left On The Canvas”

FRÄULEIN TALENTS ISSUE 38

SadBoi’s “THERAPIST“ on a Colors Show

“Being Human is Ridiculous” – Anika Meier in conversation with SOFF

The Body Remains a Battleground – Margaret Murphy on the Collision of Technology and Cultural Bias

Luna Carmoon: “We all know how complex people are”

Inès Longevial: Speaking In Silence

Rebecca Ackroyd: “When you change, your memory changes”

POLLY ROCHE FOR FRÄULEIN DIGITAL